An Idle Mind

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Today was the day. I tried to get someone else to do it; but no one would. I’d put it off for weeks feigning back problems and all sorts of other problems; but today I simply had to wash the windows. I do NOT like to wash windows. It seems to me to be a truly mindless household chore, but the winter muck, particularly on my studio window, was marring the view of any harbinger of Spring. Therefore, with ladder, newspaper and bucket in hand I marched dutifully out the door to do the deed. (Just in case you don’t wash my way, the newspaper was for wiping, not reading.)

After finishing one small part of the job, I decided it might be more pleasant if I exercised my idle mind with something meaningful. Alas, I couldn’t think of anything . . . but then . . . the words started coming. Idioms and common sayings started creeping in waves across the hills and valleys of my brain until I almost wished I could go back to those idle thoughts. When I thought I couldn’t stand climbing up that ladder to the high windows one more time I realized that only the strong will survive and knew that where there’s a will there’s a way. Telling myself that I surely wasn’t too old to cut the mustard, I just drop(ped my rag) in the bucket and kept working. I climbed that ladder as high as a kite and got down to brass tacks. Unfortunately, I tried to rush the task and my bucket fell off the ladder, dousing my shoes and scaring the poor porch cat. That’s when I remembered that haste makes waste. I was more careful thereafter and glad I didn’t have to hire someone to wash my windows since a penny saved is a penny earned.

After the window episode, I was glad to get back to the workbench and hoped no more sayings would pop into my mind. I was able to complete a dragonfly necklace that I started last night. I appreciate the friend who kindly showed me how to make wire dragonflies. Take a look at her beautiful dichroic glass work at www.wendyhardingdesigns.com. I wanted to use the two dragonflies together, but felt they needed to be stabilized and soldered them onto a copper disc. Then there was that little issue of how to keep any solder from showing and the small copper flower soldered over the dragonfly tails provided the solution. I used mookite beads in this piece. Although I realize the dragonflies are not birds, I just kept thinking how birds of a feather flock together. If I don’t quit thinking this way, I may have to scream. Please don’t tell me if there is a saying about that!

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Green Time

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I usually try to stay home on St. Patrick’s Day. This was surely brought on by some childhood trauma involving pinching, but I’m not sure of the exact incident. I don’t remember wearing any green garments when I was a child and even today, you can look in my closet and find it basically void of this color. This creates a problem on St. Patrick’s Day. I seem to always encounter someone who believes it’s OK to pinch a person who doesn’t wear green in celebration.

This year, I’ve outsmarted any would-be pincher! I’ve got green jewelry to wear. Actually, I’ve got lots of green jewelry to wear!

While you probably can’t see the wire work on the second piece, it sports hand made copper spacers made from jump rings. They were interesting to make as you hook one ring into the others until they create a beady form.

This cabachon on the left is a very subtle, but beautiful green and white seraphinite that I wired and hung on a handmade chain. The gemstone comes from Magpie Gemstones. (www.magpiegemstones.com)

I layered the pendant on the right, using a simple textured oval with a copper star soldered to it as the base for the bezel. I’ve been cutting a few shapes from very thin copper with scrapbooking punches. I don’t know how long the punches will hold up, but this is certainly easier and neater than when I was trying to cut the more detailed shapes by hand. I have this star and a flower.

Finally, the last necklace wears both greens and blues including turquoise and lapis. I like this combination and think it will be nice with denim as well as other things.

Now there’s a brand new problem for St. Patrick’s Day. Which green necklace am I going to wear? Oh well, this is better than getting pinched! I think I like this problem.

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Flow

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Yesterday was a day of flow. After several nonproductive days filled with the emotions of life, I was finally able to put things aside and get into what Csikszentmihalyi calls flow. A description follows.

Flow is the mental state of operation in which a person in an activity is fully immersed in a feeling of energized focus, full involvement, and success in the process of the activity. . . .According to Csíkszentmihályi, flow is completely focused motivation. It is a single-minded immersion and represents perhaps the ultimate in harnessing the emotions in the service of performing and learning. In flow, the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. http://en.wikipedia.org/wiki/Flow_(psychology) 

I’ve long appreciated the work of this theorist, yet often find his material difficult reading. His contributions to the field of psychology include a plethora of books and articles. I used to draw one of his charts in my workshops showing how flow balances between anxiety and boredom. It seems to me that if we are too relaxed or bored we don’t achieve flow; yet we don’t get there when we are too pressured or anxious. I feel that the need for one or the other (boredom or anxiety) probably depends on the individual. For example, do you work better with or without some degree of pressure? Learning what helps us reach that state of flow can help us achieve productive energy and creativity. If you have interest in this idea, you might enjoy reading some of the work on this topic.

Over the weekend my state of mind had been too far toward the anxious side and I wasn’t able to create anything that I thought was pleasing. By yesterday, however, I managed to relax enough to find my flow and the designs began to move ahead faster than I could work. While some of the photos below show rather plain pieces, they do represent a work that contributed to a feeling of accomplishment. For me, accomplishment leads to increased productivity and flow.

The top row of pieces needs a bit of explanation. The lapis necklace on the left is different enough that it may need to grow on you. The sterling silver form is soldered and wears a small cabachon and tiny silver cup flowers on one side. Balancing produced quite a conundrum, but I eventually made the bead links on silver wire and added the sterling silver rounds and spacers on another piece of wire below them.

I do believe that I must have strung the jasper piece on the top right at least five times while attempting to get it lay just so. Now it sits very nicely on the neck. The photo doesn’t allow you to see the tiny bit of orange in these beads.

The last two photos may end up as one piece. I may replace the pendant on the bottom right necklace which seems pretty bright with the cab pendant on the left. I’m going to wait and see what the customer wants done with this one.

Since flow is not  always easy for me to achieve, I’m thankful when it comes. My problem is waiting for it to get here!

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The Messy Metal Smith

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I wonder who it could be. Do you remember reading the August 11 entry describing how the pickle ate my pants? Well, today, the flux helped turn them white. I was happily spending some uninterrupted time with the torch when my bottle of Aquiflux fell off the table and rolled to some far away place. Oh well, I thought, I can just use the new paste flux sitting right here beside me. I hadn’t used much of it previously, but today seemed like a good day to give it a workout. All was well and I completed a ring with a bezel and two butterfly pendants before I noticed my pants. No, there weren’t any new holes in them, but one leg was practically covered in something white and powdery. Flux! Then I noticed that my hands had a good deal of dry flakes on them. Flux! The paste flux actually worked fine for my projects, but I’m not sure that I like the extra mess. I tried to take a bit more care with it on the rest of my projects, but when I went upstairs to clean up, I noticed I also had white spots on my nose and cheeks. Now you tell me how in the world I managed to get flux on my face. I guess you can just call me the messy metal smith.

By the way, I’m dangerous too. Last week, I managed to reach across the extinguished torch before it cooled. My arm came in contact with the torch and I have quite a nasty burn on my inside arm. It was becoming infected until I started flooding it with hydrogen peroxide. It appears that I’ll live to torch another day. Scars are good . . . right?

In spite of all the mess and the bandaged arm, this was a fairly productive day. As you can see from the photos below, I ended up with two sterling silver rings, two butterflies and two star earrings.

I cut the shapes on the butterfly wings with my disc cutter and then sweat soldered them onto the copper shapes. The center piece on the right flutter by is made from a beaded wire.

The sterling silver ring sports a lapis stone that I put in a premade bezel cup. It has a little sterling silver flower sweat soldered on the side.

I used some very thin copper sheet for the star part of the earrings (or pendants) below. I’m trying out a paper cutter that cuts a star to see how long it will last with this type abuse. It does a fine job of cutting and I’ll just wait and see regarding its life. I appreciate the friend who shared this technique with me. I’ll let you know if it appears to be worth the relatively small investment in decorative paper punches.

The last ring shown is from the new Kim St. Jean book mentioned in another entry.

I hope you aren’t as messy as I am, but I DO hope you’re having as much fun as I am! Does that make it OK to be a messy metal smith?

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Layering

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The cold snap that has fallen upon my warm climate location has resulted in considerable layering of clothing. Since we are not used to frigid temperatures, I don’t have wool sweaters and warm leggings. Yet, I learned last week that if you just put on enough layers of what you do have, warm cometh! There is, obviously a concomitant issue: how many layers can one person don and still be able to move around?

Having successfully layered my clothing, I felt the need to explore the layering of metal. Most of my metal pendants are pretty large and I was attempting to created something a bit smaller.

The first pendant shown, all in copper, happened accidentally when a small piece of copper I had cut from the middle of a circle fell upon a larger piece. This is a really good reason (or excuse) for not keeping the workbench too neat and tidy. The layers of the pendant are soldered together. I like this pendant, but kept hearing a little voice in my ear saying “where’s the gemstone?” For the next pendant, I added another parameter. I wanted something small, layered and with a gemstone.

Finally, I wanted one more addition to the pendant factory process. . . sawing. I was gifted a saw for Christmas and have had minor success with it. Sunday it was time for real saw action. Sawing is not easy and I can see that it will take considerable time to refine this technique. Yet, the organic look in the next pendant is a start. the problem statement for it was “in what ways might I combine sawing, layering and a gemstone in a metal pendant?”

This one, too, is interesting, but I didn’t achieve smaller . . . I left that term out of my problem statement and it didn’t happen. Actually, I do not think I’m ready to saw “smaller” at this time.

I found the most difficult part of the process for the pendant with gemstones pertains to the order of events. On the silver pendant, I soldered the bezel to the sheet metal first and then attached the wire stem and finally the leaves. I tried to change this order on the last pendant. I soldered the small copper pieces on first and then when I heated the metal during the bezel soldering process, the copper pieces fell off. That, of course, makes sense to me now, but I guess you learn by doing.

Today, I’m interested in trying some mixed sheet metal in the pendants. I’ll let you know if that process is worth sharing. The next time you put on all the layers of clothing just pretend you’re a gorgeous pendant!

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Ring a ding ding . . .

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I think it’s interesting to discover what others believe about gemstones and/or specific shapes that may be used in jewelry design. I’ve enjoyed writing for Magpie Gemstones and researching information pertaining to the properties of various stones (http://www.magpiegemstones.com/properties.html); but today I became interested in whether there might be symbolism behind the rings many of us wear. Of course, I understood the symbolism surrounding wedding rings, having worn the same one for over 42 years; yet, I didn’t realize that some believe this ring is on the third finger of the left hand because this is closest connection to the heart (flutter, flutter . . . and a collective “ahhh”).

Some people, married or not, however, wear rings on other fingers and I wondered if these also have symbolism. While researching, I began to wonder if the ring I wear on the third finger of my right hand was symbolizing something to others that I had not intended. Therefore, I had to dig deeper.

I’m a pretty stubborn researcher and always try to verify the information in one source by finding the same information in at least one or two other places. Based on that requirement, here’s what I learned. Some cultures do believe that the finger on which a ring is worn is indicative of something about the wearer. This may vary by culture, but the following seems predominant:

Thumb: A person who wears a ring on their thumb can be telling the world that he/she has strong willpower, is self assertive and insists on freedom and independence.

Index: If a person wears a ring on the index finger, the wearer can be emphasizing personal assertiveness and ambition. Supposedly, that person makes up his/her own mind.

Middle: Wearing a ring on the middle finger is purported to symbolize strength and balance.

Third Finger: A ring on this finger tells the world that the wearer is creative, optimistic and has a sense of well being. As previously mentioned, this finger on the left hand commonly holds the wedding ring. 

Pinkie: Wearing a ring on the pinkie may be telling folks that the wearer considers himself/herself appealing and easily expresses things to others. This finger wears the relationship ring. 

. . . and here I thought people just wore a ring on which ever finger it fit! That’s what I’ve always done; if it fit and felt comfortable, I wore it. Now I’m going to have to pay attention to which finger I have a ring on. But wait, there’s still hope. Is it possible that other people, like me, do NOT know the symbolism just described? If so, then I may as well wear those rings on any finger I choose. But, just in case I want to SAY SOMETHING by wearing the ring on a particular finger, I’m well prepared with the rings I have made this week.

I learned to make the rings in the picture at the top at a wire workers meetup where my friend was kind enough to share her expertise. You can check out Sherry’s Jewels on her Artifire site (http://www.artfire.com/users/sherrysjewels) Directions for the rings at the bottom come from Kim St. Jean’s new book, Mixed Metal Mania. She calls these “old bones” rings, but I just call them “earth” rings.

The final photo shows a turquoise ring that I am just finishing. It still needs a bit of work. This ring just happens to fit my index finger; so when you see me, be sure to realize that I’m ambitious! In the mean time, maybe you should go try on your rings and figure out if they display any symbolism.

By the way, if you need any rings, I think I know where you can get some!

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Resistance to Closure OR Procrastination?

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Several sleepless nights this week left piddlin’ in my studio wondering what to do when you are too sleepy to do much of anything. Have you ever felt that way? During one of those times, I located a number of UFOs (unfinished objects) and pondered the current state of my work.

My need for closure used to require that I rush to complete each piece. My head knew that this was not a good thing since creative people are supposed to be amble to remain open for all the artistic possibilities that might present themselves. When you decide on an idea or problem solution (close) too quickly, there’s less opportunity to exercise true creativity. This is one of the areas rated on many formal creativity tests. Yes, my head knew I should resist closure, but I still willed myself to “get it done”.

Because I understand this need to resist closure, I consciously try to remain open and therefore lay some things (pendants in particular) aside while I consider various alternatives for completing them. Apparently, I got carried away with this little practice and during one of my late night/early morning studio carousings, I discovered what I had wrought. I had an entire pile (a little exaggeration) of things left undone.

Then it hit me. Creative gurus teach that we are supposed to diverge and then converge. During my divergence, I was resisting closure and laying things aside while I thought of the myriad of possibilities for how each could be used. But, oops, I forgot the rest of the teaching . . . CONVERGE! During convergence, we are to pull the ideas together, make a decision and, in my words, finish the work. I didn’t do the latter.

So, on that fateful day, it was time to CONVERGE. (Can you here my battle cry?) I devoted one day to getting those pieces in some sort of completion form. I made the pendant for the first one, “Wing It”, last May upon coming home from a boutique run where a customer said that’s what she does. Oh well, it’s only January; but it was time for something to hatch.

It only took a short while to attach the riveted pendant to some chain and add a few dangles. What took me so long?

The next piece sports a pendant provided by one of the boutiques. The owner had it on a simple silver wire and it had not sold. She sent it home with me before Thanksgiving saying “DO SOMETHING” and she hasn’t seen it since. It’s time! I hope the store owner likes it. She will certainly be surprised to see it again and will probably take it just to get her pendant back.

I cannot honestly say how long I’ve considered the use of this S shaped pendant armature. I know it has been several months since I repeatedly annealed and whacked this shape. At the time, I just wanted to see if I could hammer a piece to the extent that a couple of my friends do in their pieces. This week, however, it finally turned into a necklace.

This one is fairly long and dangles from a doubled leather cord.

Finally, I found two bracelet armatures all formed and tumbled, just hanging around waiting for embellishment. They are now properly adorned.

           It’s good to finish these pieces and I’m glad I didn’t follow my urge to just throw them away when I first found them. They were worth completing. Yet, now I wonder whether I was really being creative on these by resisting closure or if I was just plain procrastinating. I think it’s resistance to closure when you are not sure that all the possible ideas have been explored on a piece and you are remaining open to receive those great thoughts. That was definitely the case on two or three of these pieces. However, I have known what to do with those bracelet armatures for a while and just didn’t want to do it. That is plain old procrastination! Shame on me! Will it every happen in this studio again . . . . . I can defiantly say “YES!” Now I hope to resist closure when needed and beware of that other phenomenon.

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Charming: Another Word for Sharing

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I have previously mentioned a group with which I meet once a month. We get together and share ideas about working with wire and other materials for jewelry design. Although I’m not a “joiner”, I really enjoy this group and we’ve met together for over a year without any big arguments. That’s probably because we are a “faux” society. We have no rules, no officers, no dues and no big events to plan. This is probably why we get along so well.

We decided to exchange charms for Christmas. Rather than the usual exchange by designers where participants bring one thing and leave with someone else’s piece, we brought a charm for each person. I walked away with 12 different charms. Some were wired while others were soldered creating an array of very different looking objects. It was fun to see how each person approached the task of making charms in her own unique way.

I used the charms on the necklace shown here. They hang from copper tubing purchased at the hardware store. The charms are separated in a few places by larger copper tubing cut into small links. Without these pieces and the extra wire wrappings all the charms sat right on top of one another and refused to show their personality.

The tubing hangs from several types of fibers including yarn, silk cord and ribbon. I also attached a small copper chain. These hang down in the back where the closure is a handmade hook and oval. You may have seen something similar to this piece (minus the wonderful charms) in a recent beading magazine.

It’s fun to wear this piece and look down at the charms. I know who made each one and the piece reminds me that we are all so unique; yet, we can come together and make a beautiful whole.

After the experience of sharing with this group and creating this piece, I read about a group where each person contributed to necklaces that traveled around the world. The latest Belle Armoire Jewelry, Winter 2011 shares Around the World: A Necklace Round-Robin starting on page 24. I gleaned from the article that each participant started a necklace, creating several inches, and then mailed it to the next person. Individuals added specified lengths to each necklace when it arrived. The gals also kept a blog or journal about what they were adding and how it was created. In the end, each person received a necklace that had been “around the world” having traveled to several different countries. Pictures of these necklace show them to be as eclectic as mine above.

There are so many ways to share this time of year. Christmas, hopefully, brings out the best in all of us. The simple sharing of your talent is priceless. Whether you share a visual art form, the gift of gab, the sound of your music or a simple glow that makes others feel good, we all seem to feel better when we give and share.

Yesterday, as I left the nursing home where my mother resides, one of the aides waved at me and said he hoped I got everything I wanted for Christmas. You know, I couldn’t think of a thing I really wanted except healthy and happy friends and family. When I told him that, he knowingly smiled and understood. I wish the same for all of you.

Merry Christmas!

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Swirling

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I thought the wind would take all of our Fall leaves this week, but a few hardy souls remain. We’re not especially used to the blustering breezes nature just sent us, but the movement of the trees outside my studio window seemed to symbolize the rushing of people as they ready for the holidays. Of course the people are gathering as the trees are shedding. I hope the gathering brings good fortune to our local merchants.

I’ve been doing a bit of swirling myself this week – round and round and round. I saw a pendant made of three wire swirls in a catalogue my friend brought me. The swirls graduated from large to small in a straight line as they layered at the edge of one another. Of course, I couldn’t just make that one, mine would need to be different. Eventually, my pendant became a necklace composed of five circle swirls.

These swirls are soldered together and finished with a dark patina and a tumble. I liked this look and decided to enlarge it. Then I learned that often “less is more”. The larger necklace has the same number of swirls, but they have bigger diameters.

Before starting this piece, I didn’t realize how much more difficult it would be to keep the rounds held together. I kept adding solder to these circle hoping to connect the parts of each round. This, of course, led to solder showing on the front. Hmm . . . now what? The dark patina on the first piece did a nice job of covered the solder, but didn’t do as well on the larger piece. Also, the swirls continued to want to pull apart. Finally, I soldered a wire to the back of the necklace alleviating this problem.

You can see the solder still showing in this photo. Since it was also showing on the front of the main circle, I soldered a bezel and placed a charoite cab (from magpiegemstones.com) on the front.

Hurray! Following one last patina that required extra Q-tip applied liver of sulphur in spots to cover that stubborn solder, the piece went for a tumble and was complete.  The last picture shows the different in size between the two necklaces. Both of these are fairly heavy and used a good deal of wire. This was fine in copper, but I think I will curtail my plans for making this in sterling silver until prices for this wire go down. Do you think that will ever happen? It’s possible that the only way I’ll see this in silver made from my studio is to let that solder flow on the top!

The wind blows gently today, but bodes of cooler South Texas weather. I wonder what ideas it will bring me this week.

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Crisscrossed

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The internet’s free dictionary says that crisscrossed means  “. . . To move back and forth through or over. . . “  It makes me think of a snake swimming across our pond in a serpentine pattern or Dixie, our blue heeler (cattle dog) crisscrossing behind a bunch of cows as she tries to get them to move in the right direction. She just gets one side of the bunch going and then has to cross behind them to the other side to get those stranglers moving. By going back and forth, the cows eventually go the right way.

There certainly are some beautiful jewelry designs that feature crisscrossing strands or wires. I worked with this idea and hope to be on the right track. I wanted the waves of these crisscrosses to be consistent, but found that especially difficult to construct. Although I measured carefully and worked with care, when I put the two separate pieces of wire together and curved them for the neck pieces, they became a bit whoppy jawed.  (Is that an Oklahoma term?) Alas, I finally just went with that look and once again called the work “organic”. I never actually thought of sterling silver as organic, but today it is!                             

You can grasp the idea of the crisscrosses more easily by observing the following pictures. The close up of the silver shows that the main piece is attached to my hand made chain. 

The copper wire in the other photo shows a better view of how the two pieces of molded wire crisscross together to form the neck wire.

I made the silver dangles from heavy gauge fine silver wire using the torch to fuse each ring. I then hammered and textured the pieces. I tried putting on more dangles, but three turned out to look the best.

The second necklace shown here displays larger crisscrosses. It wasn’t what I envisioned, but I do like the shape. The dangles on this piece have either blue or red copper patinas made with household products. I’m still debating whether to leave them on or take them off as the piece looks fine without them. What do you think?

Crisscrosses have many possibilities for use in designs and they present me with a nice new challenge not only for necklaces, but also earrings, bracelets and pendant wrappings. Look for more of this design in another entry. If you don’t see any in a few weeks, you’ll know they just didn’t work out. I believe it’s OK to take a challenge and fail. You just have to try!

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