Revisiting a Friend

Filed under: Creativity, Metal Work, Necklaces, soldering | Back to: Homepage

Recently, I rediscovered an old friend – a metal necklace that was popular before I moved on to other things. One of my boutique customers suggested that she could use another of the disc necklaces shown below and I revisited the design for her. Of course, I couldn’t just make it like the original and enjoyed exploring different texturing techniques for the discs.

I couldn’t just stop at “same old, same old;” so I explored alternative shapes and finally chose the rectangular shape, also in graduated sizes. I layered smaller rectangles on top of the first group and then balled some sterling silver for embellishment. I like the way this piece lays on the neck when worn.

Finally, I went a bit overboard with the mixed metals and started dapping and dimpling various circles before also layering them. These are soldered onto a piece of copper tubing that I annealed and hammered. I found this piece much more difficult to make than the first two necklaces. It was next to impossible to clean the layered/soldered/dapped discs and in soldering one part of the necklace, a silver disc decided to partially melt. Hmm . . . Then I had to go back and melt part of another one in order for this artistic flaw to appear planned. Shush – don’t tell anyone!

I want to experiment with some other shapes as well, but am aware that shapes with severe angles, such as diamonds, may not conform as well in multiples. Currently, I considering some free-form shaped ovals and hoping they won’t just look like funny little ghosts. Do you have any shape ideas?

You just never know what might hatch in this studio.

Creativity, Metal Work, Necklaces, soldering 1 comment

Positive Comments

Filed under: Earrings, Necklaces, Pendants, Philosophy, torch enameling, Torch Work | Back to: Homepage

Isn’t is wonderful how a few truthful and positive words can provide a great moral boost? When I show my work to someone, I’m really just sharing and not necessarily looking for accolades. I think my family should just know what I’ve been making. Luckily, they’ve learned to accept my “show and tell” without feeling any real obligation to like what they see. I’ve tried to encourage them to view my process and growth rather than just the art.

Today, I spent a good deal of time trying some new torch enameling techniques.

I’ve been working in my comfort zone for quite some time following the class that I taught and decided that today was the day to stretch. (sometimes stretching is hard)

First, that little bird pendant gave me fits. It’s difficult to tell the details on her from this photo, but suffice it to say they are there. It takes numerous firings on this type design and several times after I applied the enamel and set the pendant on the trivet for torching, the whole thing fell off on the floor. Then I had to start anew. I think it was a test to see if I really wanted to persevere. I worked through the frustration and when I brought the pendant to my spouse he actually knew what it was supposed to be. That provided a positive stroke. He even told me that it was an orange tanager. (If I had been on the ball, I would have said that was what I planned – but I wasn’t on the ball.) His remarks made me forget my frustration.

The final pair of earrings for the day was the orange and purple pair which I designed based on a piece of fabric called dimples. I thought they were really ugly, but when I showed them to my husband he said “great colors”. That helped me see them differently and I accepted another positive stroke. I guess they are rather funky.

My adult piano students used to say they always knew when I was going to correct something in their playing because I started with a compliment. I think some of them secretly wished I would just get to the correction. Yet, it helped me to find the good in what they had done rather than just searching for something to fix. I now need to find the good in my own work before worrying about what went wrong.

I wouldn’t want to hear “fake” positive comment, but once in a while a sincere one is really welcomed. Focusing on what turned out well can help me retain that part of a piece while seeking to improve the part that wasn’t so good. Oft times I only see the problems in the piece and need someone else to point out what worked well.

I am thankful for a supportive spouse who is always truthful and helps me see the good when I’ve missed it.

Earrings, Necklaces, Pendants, Philosophy, torch enameling, Torch Work 2 comments

Sharing Hearts

Filed under: Cold Connections, Metal Work, Necklaces, Pendants, Philosophy, soldering, Techniques, torch enameling, Torch Work, Wire Work | Back to: Homepage

It isn’t even February, yet, I’m making heart shaped pendants. It just seems like the thing to do! I prepared the two in the photo because I wanted to experiment with making bails for an upcoming meetup of designers.

The bail for the heart on the left is made from a small piece of copper sheet soldered on the back. The one on the right utilizes a bail made from wire, also soldered on the back. My grandson told me that this heart has heartworms! Hmm, I really didn’t see it that way, but I’m not three years old. I used my new leather sand bag as a base for creating the doming effect on both pieces. I dimpled them with dimple pliers. By the way, thanks to a talented friend, I was able to saw the heart shape from the middle of each piece. Thanks Adele!

Following is another photo of a heart pendant made for the same meetup. I torch enameled the copper rectangle and riveted the heart, cut out of the center of a piece shown above, to the metal. I used a tube rivet which gives it some dimension. The back shows the small piece of tube I soldered to the metal for a bail.

The photo below doesn’t seem to fit with this blog entry . . . yet, it is the essence of “heart”. It was commissioned by one adult sister for another in remembrance of their girlhood when they watched the cardinals together. I’ve shared this previously online, but wanted to repeat. Wouldn’t you say the giving sister was “sharing heart”?

As Valentine’s Day approaches, I hope that commercialism doesn’t remove the heart from the giving. It often seems that men, in particular, are harassed by the advertisements to a point where they feel they must spend a good deal of money for their sweeties. I hope the men I know will understand that this woman just wants a little “heart” in one form or another.

Cold Connections, Metal Work, Necklaces, Pendants, Philosophy, soldering, Techniques, torch enameling, Torch Work, Wire Work 4 comments

Shields

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After running the Christmas gauntlet of jewelry shows, I wondered if I would have any ideas left for starting anew. I shouldn’t have worried since the holiday’s usually close with renewed inspiration to create again. This year, I’m making an honest effort to add some different looks to my pieces.

One new idea in particular resulted from a metal disc my son-in-law hammered while showing me how to use my new leather sandbag.  While the family tried to rest after Christmas dinner, the two of us sat on my studio floor and hammered. Oh what fun . . . Later, I picked up the disc he made and turned it into a shield.

This shield is on the top left. It has multiple dimensions and weavings and is adorned with turquoise and lapis. The challenge for this piece was adding extra pieces of wire and trying to keep the weaving even. I wasn’t completely successful on the latter.

The shield on the top right sports a sterling silver bezel on textured copper. I added both sterling silver and copper wire to support the weaving.

The bottom piece was simple to make and may need more embellishment before it is complete. I used dimple pliers to create interest on the disc.

The challenge for now is how to best hang these pieces to enhance the look. It would be easy for me to end up with a box full of pendants, but these need to become necklaces soon.

The final photo is of a shield that did become a necklace. It’s too bad that close up shots not only show the flaws in the wire work, but also those on the face! Oh well, I earned every one of them.

Metal Work, Necklaces, Pendants, Torch Work, Wire Work 2 comments

Vining

Filed under: family, Necklaces, Pendants, Philosophy, Wire Work | Back to: Homepage

I enjoy making handmade chains. If my hands would hold up, I could sit for hours twisting “S” links and making jump rings; yet I wanted something a bit different for the design below. As it developed, I began to picture a vine running along one side toward the wearer’s neck. First I made the chain without beads on the vine, but now I think it’s better adorned with them. See what you think.

My friend from Magpie Gemstones , made a few suggestions and I think the design is working now. Another friend named the above necklace “Sweet Pea”.

Below is another version. You can also see that I’ve played with the use of different size jump rings to add a bit of interest.

My analogy for the initial necklace may be a stretch, but here goes any way. As so many of us gather with family members and/or friends this special time of the year, it seems to me that we are vining. Vines often reach toward their nourishment whether it is sunlight or water and it seems that people do the same. We lean towards those who nourish us by listening, caring and sharing our lives. While we may originally “vine” in one direction, later that part of the growth may wither and we vine in another direction depending upon our needs. I watch my ivy houseplant do the same thing. It grows well in one direction and then I notice it withers and needs trimming. Once trimmed, it angles off toward something else. It doesn’t seem to inhibit the plant as it takes the process in stride. As we traverse our own growth including changes in relationships and in families, it may be important to consider new directions or perhaps to better nurture those old ones. I think we just need to keep vining.

family, Necklaces, Pendants, Philosophy, Wire Work 5 comments

Everyday Tiaras

Filed under: Bracelets, family, Necklaces, Wire Work | Back to: Homepage

Playing with wire one evening, a seemingly familiar shape emerged in my hands. Who knows whether it came from my subconscious while thinking about my long ago high school years or from something else. My high school class just celebrated our 45th reunion in Medford, Oklahoma. Although I didn’t attend, the photos and notes from classmates brought back a flood of memories long buried, but still reachable. While I don’t remember too many high school dances, I do remember my last prom. I had been sick and out of school for three weeks, but managed to get it together and make it to the prom. After all, I already had a date! It was an eventful day of preparation during which my mother burned a hole with the iron in the chiffon overskirt of my long blue dress. The local dry goods store saved the day. There she purchased blue plastic flowers which she sewed on the dress to cover the hole. I remember that she was much more upset than I was.

I also remember that my hair wasn’t in very good shape, but we managed to adorn it with a pretty sparkling tiara. It seems to me that it looked much like the one in the photo below (from Tiara Town). It was probably much smaller

That shape stuck with me and I recognized a similarity in the wire shape I made the other night. It became the bracelet below.

I also turned the shape upside down and made a necklace.  If you stand on your head and look at the necklace below, you should be able to see the tiara – or you could just believe me! This particular piece and the bracelet above are both made of moonstone from Magpie Gemstones. I made another similar necklace out of sterling silver wire with grey colored moonstone, but it found a home before I could take a photo.

Today, I tried my hand at a smaller necklace, shown below, that has less loops. I really think I prefer the loopier one. All of these are finished with handmade chain and clasp.

These necklaces are fairly easy to make and the bead placement helps secure the wire loops in place at the top.

I think there are a few more jewelry tiara designs in my future, but I don’t anticipate ever needing to wear one on my head again. I’m either afraid or relieved that those days are past – I wonder which . . .?

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In the News

Filed under: Articles, Necklaces, Techniques, Wire Work | Back to: Homepage

I’ve been remiss in not sharing a little success via this venue. This month, October-November, Step by Step Wire Jewelry published one of my pieces. Below is their photo of my Tri-Loop Necklace.

This example was made in sterling silver with lovely amethyst stones from Magpie Gemstones (www.magpiegemstones.com) There’s a very long period of time between having something accepted by a publisher and actually seeing it in print. The publication also contains my complete tutorial for the necklace where you can find out the sneaky way I make those tri-loops. These are NOT made on a jig.

My friend, whose sister works for Disney, calls this the hidden Mickey necklace. Just look at all those ears. She purchased one for her sister in copper and it looks great. I was pleased to see it. Someone who read the magazine also sent me a photo of her version of the necklace. If you make one, why not send me a picture too?

Also, I have another piece that should be out in the same publication in a couple of months. I’ll let you know when it’s available.

Articles, Necklaces, Techniques, Wire Work 7 comments

Fishing for Ideas

Filed under: classes, Cold Connections, Color, Metal Work, Necklaces, Pendants, soldering, Teaching, Torch Work, Wire Work | Back to: Homepage

If you’ve ever worked with preschoolers, I’ll bet you’ve enjoyed magnet fishing. You put a paper clip on the ends of paper fish and a magnet on the end of a homemade, kid-sized fishing pole and then “attract” fish. My grandson likes to put his fish in a bucket and use it as a fishing pond. We’ve been playing this for over a year and it doesn’t seem to get old.

Many times, I end up “fishin” too, but it’s usually not in a bucket. It’s usually in my head when I’m fishing for ideas. I may be looking for something new and different to add to a design or for some way to solve a problem. This week it was the latter.

I’ve been stuck on making birds lately and have explored how to do it with embossing and torch enameling.

After making a couple of these, I realized that the two don’t mix real well. For embossing, we need a light gauge metal and for torch enamel a heavier metal. When I use the gauge I need for embossing and then enamel the piece, it curves a bit toward the back. Yesterday, while fishing for ideas, I tried riveting another piece of metal to the embossed one and then enameling. It was NOT a good idea. Much of the heat was lost between the layers and I completed a very rough and ugly bird. No, you cannot see it because it’s in the trash. So, I guess I’m going to need to get my idea fishing pole out and try again.

I did, however, have one bird that turned out well. He/she is a sample piece that combines elements from several of the classes I teach, soldering, riveting, wire wrapping, forging, etc. Although you can’t tell from the photo, I used tube rivets to help the bird stand about 1/4 inch away from the back plate. The bird is mixed metal including copper sheet, 1/10 silver wire and brass wire for the nest. Today’s issue is how to make it smaller.

I asked my spouse if he thought I needed eggs in the bird’s nest, but he didn’t think so. We decided that bird was just too young to mate. After all it did just hatch at Dreamcatcher Designs.

Here’s hoping you catch whatever you are fishing for.

classes, Cold Connections, Color, Metal Work, Necklaces, Pendants, soldering, Teaching, Torch Work, Wire Work 2 comments

Waving

Filed under: Bracelets, charms, Metal Work, Necklaces, Techniques, Tutorials, Wire Work | Back to: Homepage

How do you wave at folks? Do you just raise one little pointer finger to acknowledge them are are you an all-out-use-your-whole-arm waver? The latter is the kind I see outside a certain San Marcos business. He’s waving with his entire body as he dances to the music emitted into his earphones. He’s been waving there for so long that they’ve even made a billboard about him. Did I mention he’s really skinny too? All that waving seems to pay off in one way or another.

I’ve been waving with my wire jewelry for years. I started with a simple wire wave bracelet and continued by making wave necklaces. Originally, these were made from recycled copper wire, but now I use new 14 gauge for the pieces. They’ve also gotten a bit shorter recently. You can see the bracelet contrast in the photo below. Obviously the shorter piece is not yet completed. If you want to make these yourself, I have a free tutorial for the bracelet published on the Magpie Gemstones’ (www.magpiegemstones.com) site: http://www.magpiegemstones.com/wave_bracelet.html

I’ve also tried waving with different shapes.

Here are a couple of versions of the newer wave necklaces. The first features riveted copper charms (faith, hope and love).

The second is embellished with amethyst stones and the wave is a bit more full.

I guess I’ll keep coming back to this standard in my jewelry line and continue to perfect my wave. How about you? What kind of waver are you?

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Coloring and the Lines

Filed under: charms, Color, Creativity, Earrings, Metal Work, Necklaces, Techniques | Back to: Homepage

Do you color within the lines? My first reaction to this question would be “absolutely not;” yet on second thought . . . the idea of coloring within the lines might be situational.  When someone poses this query, they usually don’t actually want to know about color, but rather about whether you follow the rules or parameters set for a task. While most highly creative individuals intentionally stray from the rules others try to impose on their art form, they may follow the rules in other instances. For example, this might be to pay the bills on time, get the car registration sticker to avoid a ticket, etc. Rules and parameters can be important.

This is the case with some jewelry techniques. For example, on Sunday I did some etching on copper which requires mixing an acid solution. I read the directions three times before ever opening the bottle of acid. The rules were important to keep me from burning myself. I’ve also found some of the suggested “rules” for torch enameling are quite helpful for this technique.

If I use counter enamel on the back of a metal piece, it has less of a tendency to curve under when I apply several enamel coats on the top. Also, I’ve found that it’s helpful to use the suggested liquid that helps hold the enamel powder on the surface of the metal. Go ahead. Ask me how many tiny bits of colored enamel threads rolled off my pieces and fell on the floor of the work room before I discovered this agent.

A past post showed a few examples of torch enameled pieces of jewelry, but I wanted to share some of the newer work. The necklace at the top shows a variety of techniques with which I’ve experimented. Below are a few of the earrings sets I’ve made.

The Gingerbread family below was tricky to make and I’m not sure why Gingerbread Pop has more sugar on him than the others . . . ?

It’s rather obvious that I didn’t color between the lines on these pieces but rather I often just let the enamel stay where it landed. I’ll follow the rules/lines on something else that I’m doing, but not in my art form. How about you?

charms, Color, Creativity, Earrings, Metal Work, Necklaces, Techniques 2 comments