Heavy Metal

Filed under: Creativity, Diversions, Earrings, Metal Work, Necklaces, Pendants, Philosophy | Back to: Homepage

The creative mind is a funny thing (not funny “ha, ha”, but funny “unexpected”). My day started with an early morning walk. Early for this artist is 9 AM when it’s already good and hot in South Texas. The moment I went out the front door, I spied my mother’s cat, Callie, who has lived with us for ten years. She’s a beautiful little calico who was lounging, full body, in the bird bath which was empty due to our drought. Can you picture her beautiful black, white and yellow body against the white concrete of the bath?

As I started down the hill, I was accosted by the loud sound of one of the hawks that is homing here at the ranch this summer. We’re not talking about a sweet little bird chirp here. We’re talking about a loud “caw, caw, caw” in a screeching tone as the hawk circled my head. I wasn’t sure whether I should run back to the house or hide under a tree. Eventually the hawk went on and I proceeded down the hill.

At the bottom of the hill and on down the road between pastures the wind brought a cool mist from the irrigation machine that was watering the land. It had that marvelous clean smell to it and reminded me of fresh rain. It was cooling for a while, but soon thereafter, my own mist was dripping off my brow as I trudged on in the heat.

The sights and sounds of the ranch engulfed me as I continued walking, encountering little birds, startled calves and lizards swishing through the grass. Just as I was thinking how pleasant it all was, I got to the top of the hill and there stood four of the bulls. They really are beauties in this own right, but the final sound I heard on my walk was the splat, splat as the business of those guys hit the ground. What a bummer!

Long ago, Dr. Sidney Parnes, taught me that one of the best ways to get creative ideas is to engage the senses. From him, I learned to bring fragrant tea or other natural aromas into the creative thinking process. I remember a tactile experience I provided for graduate students who, with eyes tightly shut, gently held a large strawberry in the very middle of one palm while touching it with one finger of the other hand. It sounds crazy, but they did some great descriptive writing following this experience.

With this in mind, I sat at the workbench and let the results of the morning walk wash over me. I thought I might produce something organic and natural looking, but I did not! I ended up with heavy metal jewelry. The pieces below started as foldformed metal and ended with chain. Even though I tried to put pretty beads on the pieces, they just didn’t work. How could the sights and sounds of nature drive me to this?

The piece on the left is a pendant hanging from leather. It started as a rectangular piece of metal and just kept changing. I used a ceramic bead on the leather.

The earrings below were planned as leaves, but that chain just kept getting on them and I finally gave in. They have a nice little swish to them and I’m pleased that they aren’t noisy little fellows.

So here’s the question. How can a morning walk end up as heavy metal jewelry? The answer lies in the nature of creative thought which often erupts from experiences. In this case the experiences were sensory. Those sensory experiences can open the artist to possibilities that were previously blocked. The idea/art produced may have no seeming relation to the experience; yet they are connected. I think it’s important to remember that when ideas cease to flow or your muse has gone home, there are many things you can do to find your way back home. The trick is to be open when creativity knocks on your noggin. A closed mind bears no art! 

You see . . . creativity really is a funny thing!

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Earrings Galore

Filed under: Earrings, Techniques, Wire Work | Back to: Homepage

When a customer told me this week that she was out of earrings, I realized that I was too. That started my earring frenzy and allowed me to help my customers stock up.

The first photo shows new disc earrings with turquoise and hammered copper wire dangles. I also made this design with coral dangles and think lapis will adorn the next pair.

The leaves on the second pair were made using foldforming discussed in a previous blog entry.

I think I’ve shown bottle cap earrings previously, but all of a sudden this week I needed 8 more pair. I’m lucky to have a good supply of bottle caps provided by by son. These came all the way from California.

The ‘S” earrings are self explanatory.  I also make a big “S” necklace that hangs from a leather chord.   

I think the design for the pair below, made entirely from wire has possibilities for many other designs. I put a three leaf clover in one pair and hung dangles in another. These are made from 18 gauge wire.    

I made several other pairs and found that the assembly line approach worked best in churning them out. I made 10 discs, then 20 bead dangles and 10 wire dangles before assembling the first pair. The same approach worked for making numerous copies of the other styles. Finally, I made about 20 plus sets of ear wires shown on some of the pictured pairs. When I made the ear wires I tried to pick up one tool and use it on all the wires before going on to the next step. For example, I turned a loop on each of the wires before going to the next step. It seemed to expedite things, but I surely did get sick of making ear wires! When I finished those ear wire I wondered why in the world I don’t just buy them at the store.

Now I know what I can sit around and do when I’m bored – make ear wires! I just need to find out how to get bored.

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Which Came First. . .

Filed under: Bracelets, Necklaces, Philosophy, Wire Work | Back to: Homepage

. . . the design or the beads? I’ll bet you thought I was asking about the chicken and the egg.

Something initiates most new ideas, inventions, problem solutions and designs. Artists who say they’ve lost their muse might benefit from the examination of how their art begins. With musicians, the question is often “do you start with words or with melody?” The fiber artist might query whether the fiber drives the design idea or the idea hatches and initiates the search for the right fiber. Does the author select a setting or environment to write about and then create characters or vice versa?

Jewelry designers might well consider the above question “do my better pieces start when I’ve become fascinated by the possibilities for designing with a particular bead OR do I develop a design and then search for what gemstones would compliment it?”

For example, the bracelet on the left started with the square bead. Although you can’t see it in the photo, it is not perfectly flat and I wanted to show off its character. This bead led to the adaptation of my previous dimensional design and required the development of a square, as opposed to oval, face. You may recall the former, shown below, from past blog entries. The tutorial for this one is in my etsy store.

The bead has come before the design several times when customers have brought me rocks or gemstones collected during their travels. It’s often a challenge to make the right design to show off their treasure.

Other times, the design comes first. You’ve previously seen the double wire necklace series. These copper armatures require just the right size and shape beads for elaboration. Since each armature is a bit different, the bead requirements vary from piece to piece. The necklace below, found in my etsy shop, features heishi shaped moonstones and garnet rounds. I played with other beads before finding the right ones for this design.

Of course the bead and the design may come together at one time. Is this the perfect marriage? Do your exciting pieces begin this way?

At this point you may be saying “who cares?” Art just happens. If your art flows freely, you don’t need this analysis, but what if it doesn’t. I think we all go through periods, whether long or short, of inactive inspiration. These are times when we wait for a great idea and it doesn’t come. Wouldn’t it be nice to know that a little analysis of previous work could prove helpful? It doesn’t work for everyone, but it might work for some. During those “dead idea” times, I’d try almost anything!

A careful analysis of my own work reveals that the design usually comes first. I spend a good deal of time playing with wire and that’s how most things hatch. The problem often occurs in the search for the perfect complimentary beads. Sometimes my impatience during this search causes me to use the wrong beads and then the design falls flat. I hope to become a little more patient during upcoming searches.

I’d like to believe that the artist’s muse doesn’t really run away, she just needs a little time to rest now and then. Yet, it wouldn’t hurt for us to give her a little nudge through analysis.

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Lucy at Dreamcatcher Ranch

Filed under: Philosophy | Back to: Homepage

The past few days I’ve looked a bit like Lucy when she and Ethel had the candy wrapping job. I’m sure you have seen snippets of the episode of the I Love Lucy Show where the candy comes faster that Lucy and Ethel can get it wrapped and moved down the assemble line. You can see it on YouTube.

I’ve always tried to make the most of my jewelry design time. Often this means stringing one piece while metal components of another have their turn in the tumbler or dry outdoors after they’ve been properly sealed.

I usually prepare several pieces at once before taking them downstairs to the torching room. Therefore, while some things are annealed or soldered others dry or tumble and this creates an assembly line for the designs – I’ll bet you have the picture. It probably works the same way at your house whether you’re preparing dinner while washing clothes or feeding the cows while the flat on the tractor gets fixed. We all multitask.

This week, however, the tumbler seems to get finished before I’m through stringing and the wire armatures are ready for embellishment before I get the foldformed pieced annealed and into the patina. I feel like someone gave each instrument in my orchestra a different tempo and some are playing a nice andante while others are engaged in a runaway fugue!

OK, you say, just show us the problem. Where are the pictures? Well that’s part of the problem . . . I didn’t get any pictures taken before the pieces went right out. You’ll have to trust me when I say that 13 necklaces, 5 bracelets and 14 pair of earrings have left this Lucy show since Friday.

Tonight, I’m going to stop wrapping those pieces of candy just like Lucy did and take a break. Here’s the only problem. Lucy ate some of those chocolates and I don’t think I should ingest any of these copper components. I guess they are just going to have to stay in the tumbler a few extra hours or just sit and wait to be annealed. What I do know is that it’s time to slow down the assembly line and get control of the schedule. After all . . . who’s is charge here?

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